Investing in a mirrorless or DSLR camera has become an increasingly viable option for amateur filmmakers aiming to produce high-quality videos without breaking the bank on professional gear. Modern consumer stills and hybrid cameras now come equipped with advanced video features such as internal 10-bit colour depth and high frame rate options. Some even support high-quality Apple ProRes codecs, features that were once exclusive to dedicated cinema cameras.

When choosing a filmmaking camera, it’s essential to consider several factors. Look at the camera’s video resolution and frame rate options, decide if you need in-body image stabilisation (IBIS), and check for design features like dual memory card slots and ports for attaching peripherals such as microphones or external recorders. Your budget and ergonomic preferences will also play a significant role in determining the best camera for you.

While we don’t currently test cinema cameras, which range from affordable prosumer models to high-end professional equipment, this article focuses on consumer stills and hybrid cameras. Remember, the lens you choose will significantly impact your camera’s performance, including stabilisation and autofocus capabilities.

In this article, you’ll find our top camera recommendations for aspiring filmmakers and videographers. If you’re looking for options tailored to content creators, check out our recommendations for the best cameras for YouTube or the best cameras for vlogging. For those interested in recording sports videos, we also have suggestions for the best video cameras for sports.

1. Best Camera For Video Panasonic LUMIX S5 II

The Panasonic LUMIX S5 II stands out as one of the best video cameras available, offering a wealth of features that often surpass more expensive models. This camera is a fantastic choice for videographers, thanks to its 6K open gate recording, 4K at 60 fps (with an APS-C crop), and internal 10-bit 4:2:2 capture. It supports a wide range of codecs and recording formats, ensuring versatility in various shooting scenarios.

The video quality from its full-frame sensor is exceptional, and it boasts one of the best in-body image stabilisation (IBIS) systems among full-frame cameras. Notably, the S5 II is the first LUMIX camera to feature phase-detection autofocus, significantly enhancing subject tracking, especially in video mode.

While native L-mount lenses can be pricey, you can opt for third-party lenses or use a lens-mount adapter to save costs. If budget is a concern, the original Panasonic LUMIX S5 remains an excellent option, particularly if you purchase it used and don’t require the advanced autofocus capabilities of the S5 II.

2. Best Micro Four Thirds Camera For Video Panasonic LUMIX GH6

The Panasonic LUMIX GH6 is an excellent choice for videographers, especially if you already own Micro Four Thirds lenses. This camera is one of the most capable in its category, designed with advanced video work in mind. It supports external RAW video output and internal ProRes codecs right out of the box, unlike the Panasonic LUMIX S5 II, which requires an upgrade key for these features.

The GH6 also includes built-in heat vents to prevent overheating and a unique screen that can both tilt and fully articulate, making it easier to shoot from various angles. However, it uses Panasonic’s older contrast-based autofocus system, which isn’t as effective and can create pulsing artefacts in the background of your videos.

For solo operators who rely on autofocus and shoot in less controlled lighting conditions, the full-frame S5 II might be a better fit. But for advanced videographers who need RAW video output and don’t mind manual focus, the GH6 is a fantastic option. With the upcoming release of the Panasonic LUMIX GH7, you might find the GH6 at a more affordable price soon.

3. Panasonic GH5 Mark II The best budget-friendly video camera

The original Panasonic GH5 was a trailblazer for mirrorless cameras, excelling in both 4K video and still photography. The GH5 Mark II, while not a massive upgrade, introduces built-in wireless live streaming, a feature not commonly found in other mirrorless cameras.

Despite its relatively small sensor, which can affect low-light capabilities, the GH5 Mark II remains a powerful video camera. It supports 10-bit 4:2:2 footage recording both internally and externally, offers a variety of frame rate options, and includes various anamorphic video resolutions. 

The V-Log profile provides 12 stops of dynamic range for post-production flexibility. Its compact, lightweight, and weatherproof body, combined with effective in-body image stabilisation (IBIS), makes it an impressive choice for videographers on a budget. If you don’t need the advanced features of the GH6, the GH5 Mark II is a fantastic alternative.

The Panasonic GH5 Mark II is an excellent budget-friendly video camera, ideal for both beginners and intermediate users. 

Here are its key features:

• Type: Mirrorless
• Sensor Size: Micro Four Thirds
• Resolution: 20.3MP
• Lens: Micro Four-Thirds
• Viewfinder: 3.68m dots
• Monitor: 1.84m-dot articulated screen
• Maximum Continuous Shooting Speed: 12fps
• Movies: 4K at 60fps

Pros:

• Strong all-round video quality
• Compact, lightweight, and sturdy design
• Built-in wireless live streaming capabilities

Cons:

• Small sensor size, which can limit low-light performance
• DFD autofocus system isn’t the most reliable

4. Best Camera For Action Video Fujifilm X-H2S

The Fujifilm X-H2S is an outstanding hybrid camera, particularly for videographers who require high frame rates and speed. Its 26-megapixel stacked sensor minimises rolling shutter, making it ideal for capturing fast-moving subjects and dynamic action scenes. The camera supports 6.2K open gate recording, 4K at up to 60 fps without a crop, and a slow-motion mode that can capture 4K at up to 120 fps.

In addition to its excellent internal recording capabilities, the X-H2S includes all necessary inputs for video peripherals, such as a full-sized HDMI port, facilitating easy connections to external recorders or displays. It also supports RAW video output to compatible external recorders, similar to the Panasonic LUMIX GH6. Even without an external recorder, the camera’s internal codec support is impressive, featuring Apple ProRes formats for higher-quality video with less compression.

For those who prefer internal RAW video recording, the Nikon Z 6III is one of the few cameras that offer this feature, though it comes at a higher price point compared to the X-H2S. The X-H2S also provides a range of high-speed frame rate options, making it a versatile choice for action videography. 

5. Best Camera For Low-Light Video Sony ZV-E1

Sony ZV-E1: The Sony ZV-E1 is an excellent choice for low-light video. It features a 12 MP full-frame sensor, providing superb noise handling and dynamic range, even in challenging lighting conditions. This sensor is also found in the higher-end Sony α7S III and Sony FX3, known for their exceptional video capabilities. The ZV-E1 is designed for vloggers, making it more user-friendly and compact. It boasts reliable autofocus, in-body image stabilisation (IBIS), and 4K recording at up to 60 fps. However, it may overheat during extended recording sessions.

Panasonic LUMIX GH5s: Another great option is the Panasonic LUMIX GH5s, which is less prone to overheating. It uses a smaller Micro Four Thirds sensor with a low resolution and dual-native ISO design, optimising it for low-light conditions. The MFT system offers more compact lens options and a highly effective IBIS system. However, its autofocus is less reliable compared to the ZV-E1, which might not be an issue if you prefer manual focus. The GH5s is a cost-effective choice for those looking to save money.

6. The Blackmagic Cinema Camera 6K stands out as the best tool for filmmakers

The Blackmagic Cinema Camera 6K is designed for expert filmmakers who have a deep understanding of video production. While it lacks some user-friendly features like tracking autofocus and in-body image stabilisation, it excels in delivering high-quality raw video at 6K resolution. Its large sensor and dual native ISO enable it to capture clean footage even in low-light conditions. Blackmagic’s 12-bit codec provides extensive flexibility for post-production editing.

However, the camera can become bulky when equipped with L-mount lenses and ND filters. Despite its higher price point, it offers a professional-grade video specification that is relatively affordable. To fully utilise its capabilities, users need to be proficient in colour grading. For those who have the necessary skills, the Cinema Camera 6K is a formidable tool for achieving stunning 6K video quality from a handheld device.

Specifications:

• Type: Mirrorless
• Sensor Size: Full-frame
• Resolution: 24.4MP
• Lens Mount: Leica L mount
• Viewfinder: None
• Monitor: 5-inch tilting touchscreen
• Movies: 6K/36p
• User Level: Expert

Reasons to Buy:

• Superb 6K video quality
• Relatively compact and affordable

Reasons to Avoid:

• No tracking autofocus
• No in-body image stabilisation

7. Best Mid-Range Camera for Video: Panasonic LUMIX GH5 II

The Panasonic LUMIX GH5 II is an excellent choice for aspiring filmmakers. As the predecessor to the Panasonic LUMIX GH6, it features a Micro Four Thirds sensor with slightly lower resolution but still delivers outstanding video quality. The Four Thirds system offers a vast selection of lenses, including many compact and affordable options.

The GH5 II supports a wide range of resolutions and frame rates, including anamorphic modes for a wider, more cinematic aspect ratio, and 4K recording at up to 60 fps. It also includes Log profiles and 10-bit 4:2:2 4K recording (up to 30 fps), allowing for greater colour information and flexibility in post-production. However, unlike the GH6, it lacks a CFexpress card slot, cannot shoot in Apple ProRes formats internally, and has more limited frame rate options. Despite these limitations, the GH5 II remains a fantastic choice for its price.

8. Best Budget Camera For Video Sony ZV-E10

The Sony ZV-E10 remains a top choice for budget-conscious filmmakers and vloggers. This entry-level APS-C camera is perfect for beginners exploring videography. While it lacks some advanced features found in higher-end models, it offers excellent value for its price.

Key Features:

• Fully Articulated Screen: Ideal for video work, especially for vlogging.
• Portability: Compact and lightweight, making it great for on-the-go shooting.
• Lens Compatibility: Supports a wide range of Sony E-mount lenses, both native and third-party.

Limitations:

• No In-Body Stabilisation: However, you can use optically stabilised lenses to achieve steadier shots.
• No Viewfinder: This makes it less versatile for hybrid shooters who also focus on photography.
• Video Capabilities: Lacks internal 10-bit capture and 4K 60 fps recording. It does offer 4K at up to 30 fps and 1080p at up to 120 fps.

Top Recommendations for Video Cameras

If you’re a filmmaker or YouTuber looking to elevate your video quality, here are some of the best video cameras to consider:

• Sony α7 IV: 

Another excellent hybrid option, the Sony α7 IV boasts advanced video capabilities. It can record 4K/60 fps video but only with a Super35 crop. Unlike the Panasonic LUMIX S5 II, it misses out on some video-specific features such as vectorscope functionality and RAW video output.

• Canon EOS R6 Mark II: 

This full-frame camera is a great choice for filmmakers, offering internal 10-bit 4:2:2 recording in 4K at up to 60 fps. However, it doesn’t provide as many recording formats and codecs as the Fujifilm X-H2S and suffers from a more pronounced rolling shutter effect.

• Sony α6700: 

Ideal for hybrid shooters, the Sony α6700 can capture 4K video at up to 120 fps, though with a significant crop. It features a reliable autofocus system but is less video-centric compared to the Panasonic LUMIX GH5 II, lacking some recording formats and conveniences like a full-sized HDMI port.